Echoes of the Grand Canyon

I’m exploring not only the stunning images that nature makes, but also the shifting quality of memories, the ways they become layered upon one another.

2016 paintings – Form and Formlessness

The poet Elizabeth Bishop insists, “The art of losing isn’t hard to master,” but as soon as she says that, you know she’s lying.

As we grow old, the questions of appearance and disappearance, the possibility of fading away and becoming background—these become hard to avoid. Aging brings us closer to the boundary between being and unbeing, brings us to an ambiguous territory, where it may happen that forms have vanished, leaving you with nothing to grasp. Or they have not yet come into being.

We usually gravitate to what’s moving and full of contrast and drama. How is it that the background, the boring parts, can become the foreground? How is it that nothingness acquires  texture and heft?

My work relates to that of Bill Jensen, his use of “empty” space, his Buddhist references, his deeply textured surfaces. His work seems to ask whether we have importance in the universe, or is it our lack of significance that is of significance?

Emergent, inchoate. It is paradoxical that forms can appear to be emergent when really the work has undergone a process of paring down, reduction. The events and attachments of a lifetime must be expunged in places to make space. The simplicity that emerges is not the same as original innocence.


2014-5 From the Woods

My paintings pay tribute to nature not by reproducing scenes, but by borrowing gestures, textures, lines, colors, and spaces. Shapes made by branches, root systems, capillaries, clouds, and puddles all can be discerned within the dense mesh of the paintings. I begin with amorphous washes of color and then respond to what’s on the canvas by adding shapes and textures. Layer piles upon layer and must be simplified and resolved by overall patterns and color harmonies. It feels similar to the complexity of a long life. Louise Fishman and Bill Jensen are major influences on my work.

Previous work